I haven't had a very productive day in terms with work but, I did however complete most of the christmas shopping earlier this afternoon. So, that's something to smile about. I have more or less have an idea of what my next animation will be about, it'll be based on a dog sniffing around. I then might link on with another idea to this.
So like before starting any animation or key poses, I then had a session of drawing dog references from videos, pictures that can be found online and so on. With the help of Stuart S. Sumida work, I then felt that it was necessary to look at the anatomy of a dog.
This proved to be useful as when I was then drawing from the references I can then figure out how long a leg is based on the dog anatomy. It made things easier as my drawing skills isn't that great at all.
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Dog anatomy structure |
As well as looking at the dog anatomy, I then found the image below which highlights the dog's muscles.
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Dog muscles |
As mentioned earlier my drawing skills isn't the best but, I hope that as I continue to do more of this, that I will gradually improve. You can see that the first image below on the left hand side of the page that I did a few warm ups before, I started drawing.
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Few minute warm up |
I started drawing with a pencil but then found that when I used a blue crayon really relaxed my mind a little as it felt as though I didn't need to get it perfect. Some animators do in fact do this, where they start with a rough sketch and then go over in their work again to clean up the drawing on a different layer.
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Anyone that watches CTFXC? - Spot Marley
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Video above is one of the few references I've used
So my workflow is to find references, most of the time it's from videos as I can scrub through the video to find some interesting poses from the character or creature. I then just draw and make sure that the form of the body is right and has that feel of life.
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In the Zone |
There are times when my mind does seem to drift and the quality of the drawings does go down. At that point I sometime like to experiment in the way I draw then, where I draw more lines than it is necessary.
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Slowly drift off |
When I feel confident however, I start to draw in pencil again as it gives me that extra boost where I have to pay more attention to how a line is drawn.
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Try to use pencil again and be more attentive to the way I draw |
Planning the animation is something that I want to make sure that I get right. So, I think I will continue drawing just a bit more before finding my key poses.
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